Following a series of early single releases for various Jamaican engineers, singer entered a particularly prolific partnership with producer. The two worked together from the mid-'70s to the early '80s. Visions of Dennis Brown (Redirected from Visions (Dennis Brown album)) Visions of Dennis Brown is a 1978 reggae album by Dennis Brown. Visions of Dennis Brown. Visions of Dennis Brown, an Album by Dennis Brown. Released in 1978 on Joe Gibbs (catalog no. JG 001; Vinyl LP). Genres: Roots Reggae. Featured peformers. (1977) presents as a roots-based singer with major crossover potential. The smooth, reassuring quality of his voice and his comfortable range would seem to make him the obvious choice for an American label seeking an international success story. Download nada sms lucu untuk nokia c3. 's subject matter spans the spectrum of Rasta concerns, detailing economic suffering, African oppression, deep religious conviction, and a strong political consciousness. The potency of such themes is tempered only by the inevitable lovers rock of 'Love Me Always' and a take on ' 'This Little Girl of Mine.' Throughout, delivers pleas to his people to follow the virtuous path. It's a sentiment that becomes particularly poignant with 'Stay at Home,' the tale of a young runaway. Carrying the musical weight is a typically seasoned set of session players including appearances by the dream horn team of (trumpet), (trombone),, and (saxophones). Though the musicians rarely extend themselves (preferring to stay respectably anonymous), their effortless flexibility is well suited to 's polished delivery. They soak songs like 'Oh Mother' and 'Malcolm X' in the sadness of the blues and provide the lighter material with the appropriate lift. Two years down the road, would score a hit with 'Money in My Pocket.' At the start of the 1980s, the singer's albums would find U.S. Release through A&M. Like many of Jamaica's most promising stars, however, the singer's music was largely mishandled, suffering from poor promotion., however, finds him in his prime and on the verge of the international success he deserved. Contents • • • • • • Recording [ ] The album was the first to come out of Brown's second stint with producer, with whom he would have his breakthrough international success, and the album played a major part in establishing the dominant position of both Brown and Gibbs in late 1970s reggae. The album mixes themes such as economic hardship, African oppression, religion, and politics, with material ('Love Me Always') and a of ' 'This Little Girl of Mine'. The album was engineered by and features veteran musicians (trumpet), (trombone), (alto saxophone), and (tenor saxophone). Release history [ ] The album was originally released in 1978 on the Lightning, Laser, and Joe Gibbs labels. It was reissued on JGML in 1980 and issued for the first time on in 1989. It was reissued in expanded form in 2006 on the Joe Gibbs Europe label, and reissued again in 2007 on the subsidiary 17 North Parade. Track listing [ ] No. Title Writer(s) Length 1. 'Deliverance Will Come' Brown 3:26 2. 'Oh Mother' Brown 4:23 3. 'Love Me Always/Angolian Chant' Addeo, 6:47 4. 'Concrete Castle King' Lloyd 'Gitsy' Willis 3:36 5. 'Malcolm X' Winston McAnuff 3:14 6. 'Repartriation/Jubilation Dub' Brown, Errol Thompson 6:08 7. 'Jah Can Do It' Brown 3:00 8. 'Milk and Honey' Brown, 2:46 9. 'Stay at Home/Natty on Top' Brown, Robinson, Errol Thompson 5:23 10. 'Say What You Want/Money Honey', Lloyd 7:28 2006 reissue bonus tracks No. Title Length 11. 'Home Sweet Home' 12. 'I'm Coming Home' 13.
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